Íñigo

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Academic Publications

		AI Alignment through Reinforcement Learning from Human Feedback? Contradictions and Limitations Dahlgren Lindström A., Methnani, L., Krause, L., Ericson, P., de Troya, IMR., Coelho Mollo, D., Dobbe, R. 2024 https://arxiv.org/abs/2406.18346
		Machine Learning Informed Decision-Making: A Field Intervention in Public Employment Service Zejnilovic L, Lavado S, Soares C, de Troya I, Bell A, Ghani R. (2021, Forthcoming.)
		Algorithmic long-term unemployment risk assessment in use: counselors’ perceptions and use practices. Zejnilovic L, Lavado S, de Troya I, Sim S, Bell A. Global Perspectives (2020) 1(1), Special Issue: Datafication and the Welfare State. [pdf]
		Predicting, explaining, and understanding risk of long-term unemployment. de Troya I, Chen R, Moraes L, Bajaj B, Kupersmith J, Ghani R, Brás N, Zejnilovic L. Workshop on AI for Social Good. 32nd Neural Information Processing Systems, 2018, Montréal, Canada. [pdf]
		A Hybrid Recommender System for Patient-Doctor Matchmaking in Primary Care. Han Q, Ji M, de Troya I, Gaur M, Zejnilovic L. 5th IEEE Data Science and Advanced Analytics, 2018, Turin, Italy. [pdf]
		A Collaborative Filtering Recommender System in Primary Care: Towards a Trusting Patient-Doctor Relationship. Han Q, de Troya I, Ji M, Gaur M, Zejnilovic L. 5th IEEE International Conference on Healthcare Informatics, 2018, New York City, USA. [pdf]

Politics & Culture

Musical, meta-musical, and political writings from my days at Felix, the student newspaper at Imperial College:

Turkey on the tipping point
Gezi Park protests and ensuing turmoil, gathering various sources of citizen information and social media. Day-by-day reporting of the first week of protests and police violence.


(Source: occupygezipics tumblr)

N_Polytope: Behaviours in Light & Sound After Iannis Xenakis
Interviewing the artist & engineer duo behind a swarm intelligence audio-visual installation inspired by the ‘polytopes’ of Iannis Xenakis.


(Photo: Íñigo)

You Don't Have to Call it Music

Reflections on experimental music through the XXth Century, from classical to free-jazz via punk and noise!

Pt. 0 caveat auditor

Pt. 1 contemporary classical
or: what the atom bomb and the death of God
have to do with birds and brutalism

Pt. 2 a new ear for classical
or: when British breakcore met the Polish post-war

Pt. 3 musique concrète
or: how the Berlin Wall made it to Broadway

Pt. 4 elektronische Musik
or: drums are from Africa, synths are from Germany

Pt. 5 the American avant-garde
or: ears make music too, you know?

Pt. 6 punk
or: I ain't thick, it's just a trick

Pt. 7 noise
or: RRRRrrrrxxxqtqttqtxxckkkkhhhhzzzzzzzz...blip

Pt. 8 free jazz
or: it don't have to mean a thing


(A graphical score by composer Roman Haubenstock-Ramati.)